![]() ![]() I think back to all the small boxy cinemas, narrow underground music clubs, project studios and rehearsal spaces I have been to. This happens when sound waves literally start crashing into each other in a destructive manner. Stuffing too much sound in a small space quickly gets painful. Sounds need room to breathe in order to be heard properly. Its baseline acoustics is one of a room’s greatest assets because this quality has an impact on how well the equipment performs. Strip away the equipment and furniture and you should be left with a good sounding albeit emptier space. ![]() ![]() There will forever be a need to balance design and cost, but that should not mean losing out on quality. This included the rooms’ shape, design, materials and acoustic treatment. We spent a lot of time looking for different acoustic solutions that would work in our space and budget. I had the chance to study acoustics during school and later put theory into practice by helping build and run a recording studio. On the other hand, failing to absorb lower frequencies can lead to bass loading and muffling. An aggressive response in higher frequencies translates to shrill overtones. Too diffuse and the sound feels like it is escaping, but too absorbent and the room sounds dead. Too much reflection introduces long reverb tails. That behavior is a combination of reflection, diffusion, absorption and the room’s overall frequency response. These, in turn, determine how the sound waves behave within the space. When describing a space’s acoustics we are referring to the traits determined by its mix of design, materials and treatment. Try pairing this with an oscilloscope plugin as you will be able to see the shapes and cycles in action as you switch wave types. You can easily demo these waves by firing up a synthesizer plugin on your DAW of choice and listening to how each one sounds and how they combine together. ![]()
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